Quote of the day

“Humankind has not woven the web of life. We are but one thread within it. Whatever we do to the web, we do to ourselves. All things are bound together. All things connect.” ~ Chief Seattle

Wednesday, April 20, 2011

"I AM": Rare feel-good documentary explores happiness and the meaning of life

A film by Tom Shadyac, who gave up his multimillion dollar home for a mobile home, and is happier than ever




In a departure from his usual films, Tom Shadyac, the director of Jim Carrey's comedies Bruce Almighty, Liar Liar and Ace Ventura: Pet Detective, as well as Eddie Murphy's The Nutty Professor, has shot a documentary about how to change the world.

It starts with his personal story, from a Hollywood lifestyle to a journey of self-reflection. When recovering from a near-death cycling accident, Shadyac's life changes dramatically. He sells his house, gives away possessions and decides to make a difference.

He shoots interviews with intellectual and spiritual leaders about what's wrong with our world and how to improve it. A common thread among their answers reveals that science demonstrates we are profoundly connected to each other. The quotes from conversations are from South Africa's Archbishop Desmund Tutu, Canada's environmentalist David Suzuki, authors, poets and professors, from Noam Chomsky, philosopher and scientist, to historian and political activist Howard Zinn.

Proceeds will fund The Foundation for I Am, a nonprofit established by Shadyac for causes that educate the next generation about these issues.

Thursday, April 14, 2011

Morgan Spurlock, of SUPERSIZE ME, does it again!!!!

New Movie" The Greatest movie ever SOLD"



Acclaimed filmmaker and master provocateur Morgan Spurlock (Super Size Me) returns to the Sundance Film Festival with tongue-in-cheek perfection as he examines the world of product placement, marketing, and advertising by making a film financed entirely by product placement, marketing, and advertising.
 
We live in an age where it’s tough even to walk down the street without someone trying to sell you something. It’s at the point where practically the entire American experience is brought to us by some corporation. Utilizing cutting-edge tools of comic exploration and total self-exploitation, Spurlock dissects the world of advertising and marketing by using his personal integrity as currency to sell out to the highest bidder. Scathingly funny, subversive, and deceptively smart, The Greatest Movie Ever Sold shines the definitive light on our branded future as Spurlock attempts to create the "Iron Man of documentaries," the first ever "docbuster"! He may very well have succeeded.


Tuesday, April 12, 2011

"Redefining Apathy"

 

"Local politics -- schools, zoning, council elections -- hit us where we live. So why don't more of us actually get involved? Is it apathy? Dave Meslin says no. He identifies 7 barriers that keep us from taking part in our communities, even when we truly care."

From TEDx TORONTO

Saturday, April 2, 2011

Famed Jewish Director, Julian Schnabel, releases his new movie "MIRAL", about the Palestinian experience


Julian Schnabel and Rula Jebreal talk about the film ‘Miral’, by Mark Jenkins


From the Washington Post: http://www.washingtonpost.com/lifestyle/style/julian-schnabel-and-rula-jebreal-talk-about-the-film-miral/2011/03/31/AF6ftgJC_story.html

Painter and filmmaker Julian Schnabel’s fourth feature, “Miral,” is a coming-of-age saga. The teenage protagonist, played by “Slumdog Millionaire” star Freida Pinto, experiences first love and fatherly disapproval, and must choose between two very different paths to adulthood. But because Miral is Palestinian, most discussions of the movie center on its political implications.

That’s true even of Schnabel and his artistic and romantic partner, journalist Rula Jebreal, who’s the model for the film’s title character. At a Tuesday evening screening sponsored by the New America Foundation, the Q&A period was devoted almost entirely to the Israeli-Palestinian conflict. Sitting together in the lobby of a Georgetown hotel the next morning, the two eagerly return to the topic.

Jebreal and the then-married Schnabel met in Italy in 2007 and fell in love as they worked to adapt her autobiographical novel into this movie. She is 37, Haifa-born and of both Muslim and Christian background. He’s 59, Brooklyn- and Texas-bred and Jewish, although not the kosher-keeping sort. (He insists on pork rather than poultry sausages for the rushed breakfast the couple consumes before the train back to New York.) He, brawny and garrulous, is wearing a brown sport jacket over purple pajamas. She, petite and soft-spoken, is in tight blue jeans and a white blouse decorated with flowers and butterflies.

“It’s really a cry for peace,” Jebreal says of the movie, which opened Friday in Washington. “The love that I have for Israel, our belief that it should survive and be safe, is what made us write this story. As a Palestinian who has an Israeli passport, Israel absolutely should be safe, secure and a real democracy. A democracy for everybody.”

In some circles, such remarks might be deemed conciliatory. But not in others. When it was announced that “Miral” would have its March 14 American premiere at the U.N. General Assembly, such groups as the American Jewish Committee protested. Its chairman, David Harris, said the movie depicted Israel “in a highly negative light” and is “blatantly one-sided.”

“Every film is one-sided,” Schnabel responds. “Every film has its point of view. When you see a movie like ‘Goodfellas,’ doesn’t it tell the story from a side of an Italian gangster? When the gangster [makes an offensive comment about African Americans], do we think Marty Scorsese’s a racist for saying that? Or is he depicting what he thinks the gangster, who has that opinion of black people, would say?”

“Miral” is not the first movie to bring a West Bank viewpoint to American art houses. It was preceded by the work of such Palestinian directors as Elia Suleiman (“Chronicle of a Disappearance”) and Hany Abu-Assad (“Paradise Now”), as well as Jewish Israeli filmmakers such as Eran Riklis (“Lemon Tree”). But their films didn’t draw the controversy that “Miral” has.

 Schnabel, who’s not known for excessive modesty, thinks the reaction has something to do with him. “I’m an American Jewish celebrated filmmaker. I won the Golden Globe, was nominated for Academy Awards, won the Cannes Film Festival. Whatever those [expletive] awards mean, people care about that. I have visibility. The notion that I would take that platform and tell that story, about a Palestinian girl, is something that scares people who don’t want people to hear that story.”

When he first read Jebreal’s novel, the director was attracted to the relationship between Miral and her father, who tries to protect her as he could not her mother. “It’s a story that shouldn’t be told,” he asks rhetorically, “because it’s about people that are supposed to be our enemy? That probably made me want to make the movie.”

The film’s most prominent detractors focus on scenes that show Israeli violence toward Palestinians, but “Miral” also portrays antagonism and brutality among Palestinians. The movie has not been unanimously hailed by the latter, and Jebreal is condemned on both sides of the divide.

“For Hamas, I’m an enemy,” she says. “Someone who is literate, liberal, moderate. I eat what I want. I say what I want. And I’m with a Jewish man!”

While Jebreal has lived and breathed Israeli Palestinian issues since she was a teenager, Schnabel admits to having paid little attention to them until he met her. Directing a movie set largely in East Jerusalem was not initially motivated by his politics.

“I don’t make a film or a work of art to illustrate what I know, but to find out something about myself,” he says.

“Miral” is Schnabel’s first feature that doesn’t follow an adult artist or writer, but he sees it as thematically related to the others, which include “Basquiat” and “The Diving Bell and the Butterfly.”

“What my films are about is somebody trying to communicate,” he explains, “and there being some kind of obstacle that’s stopping them. They’re trying to get their message out, whether it’s from their body, or some kind of social or government situation.”

While only “Basquiat” and “Miral” are about people Schnabel actually met, he feels connected to all his protagonists. “People ask me, ‘Are you too close to your subject?’ But if you’re not close to your subject, you have a problem.”

Wednesday, March 30, 2011

Art , Garbage and the Human Spirit: WASTELAND

"Where Art meets Trash and Transforms Life"

Filmed over nearly three years, WASTE LAND follows renowned artist Vik Muniz as he journeys from his home base in Brooklyn to his native Brazil and the world's largest garbage dump, Jardim Gramacho, located on the outskirts of Rio de Janeiro. There he photographs an eclectic band of “catadores”—self-designated pickers of recyclable materials. Muniz’s initial objective was to “paint” the catadores with garbage. However, his collaboration with these inspiring characters as they recreate photographic images of themselves out of garbage reveals both the dignity and despair of the catadores as they begin to re-imagine their lives. Director Lucy Walker (Devil'sPlayground, Blindsight and Countdown to Zero) and co-directors João Jardim and Karen Harley have great access to the entire process and, in the end, offer stirring evidence of the transformative power of art and the alchemy of the human spirit.
 


Monday, March 28, 2011

Remembering MLK Jr, Remixing Lil Wayne

"We have more tools, we have a stronger voice and stronger power through technology and social media."
FROM: The Huffington Post
By, Julia Steers

 Growing up, filmmaker and activist Brandan Odums idolized Martin Luther King Jr., but concedes his reverence was "by default."

"He was my hero because I was told he was my hero. I was always taught history from a removed perspective. Words on paper, it wasn't alive to me. We have to make it alive."

Today, as the founder and president of 2-Cent Entertainment, 24-year-old Brandan strives to do just that, combining his passion for filmmaking with his impulse for social change to make the lessons of Martin Luther King Jr. and others relevant to young people. 2-cent Entertainment--so named because of the group's genesis as a medium for young people to express their opinions--tackles taboo social issues with comedy and satire. He started 2-Cent in 2004 as a college filmmaking collective to create skits and music videos targeted at urban youth in New Orleans, the group's hometown. 
 At the time, Brandan was working at a local access television station when he was struck by the one-dimensional nature of community driven programming. "The shows would address issues but they did not stand out against more flashy and more ignorant programs," he said. "The content was needed but the presentation was boring."

Studying film at The University of New Orleans, Brandan remained true to television as a medium but he knew he had to create content young people would want to watch. 2-Cent began as "'Sesame Street' for grown-ups." Brandan quickly recruited peers with relevant talents and the group debuted their first skit,addressing cultural perceptions of the black male. Brandan cites the group's authenticity as the force behind 2-Cent's enthusiastic reception by the New Orleans community.

"We created a show that we wanted to see--we were speaking to ourselves and people could relate," he said before adding, "We didn't come at them preaching, we were just having a conversation and entertaining them."

The members of 2-Cent now divide their time between film making and service, working in schools and collaborating with local non-profits on campaigns to address inner city violence and illiteracy. 


Brandan remains respectful of his predecessors in social change--he cites Malcolm X and Martin Luther King Jr. as role models--but he believes the marches of Martin Luther King Jr. and the civil rights movement should remain in the past.

"To me, marching served its purpose during the 1960's. Today we can demand an audience any time we want to--the camera is our weapon," he said.

He keeps his peers motivated by reminding them how young Martin Luther King Jr. and his supporters were when they took to the streets of Selma.

"I realized how young these guys were when they started creating change and I try to put young people today on the spot," Brandan said. "We can accomplish what they did. We have more tools, we have a stronger voice and stronger power through technology and social media."
2-Cent continues to combine their broader messages with on-the-ground community building. The organization recently teamed up with Scholastic to launch a city wide literacy campaign. True to form, 2-Cent has remixed rapper Lil Wayne's hit "Every Girl," to become 2-Cent's "Every Book."

"Yes, we're trying to spark young minds--we have their ear, they want to hear more. We do it playfully, but the message is clear: you're young but this is your time. You don't have to wait until you have some sort of status to create change"

Sunday, March 27, 2011

WORDS from the SAGES: Maya Angelou

MAYA ANGELOU
"I love to see a young girl go out and grab the world by the lapels. Life's a bitch. You've got to go out and kick ass."

"I've learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel."
"If you don't like something, change it. If you can't change it, change your attitude."

 "My great hope is to laugh as much as I cry, to get my work done, and to try to love somebody and have the courage to accept the love in return."

"My mother said I must always be intolerant of ignorance, but understanding of illiteracy. That some people, unable to go to school, were more educated and more intelligent than college professors." 

"I've learned that making a 'living' is not the same thing as making a 'life'."

Thursday, March 24, 2011

The Power is in the hands of the Consumer



This topic is my own personal SOAP BOX. It is something I am learning more about, and it is something I hope to help educate others about....the power of the consumer and how the consumer has the ability to change the ways companies practice their business and produce their goods. Without consumers, companies have no business. Regardless of how good their products may be, without the dollars their customers spend on those products, they can't exist. And would you spend your dollars differently if you knew how your dollars were being allocated to create those products you love so much? Maybe, maybe not. Particularly by living in the United States we are greatly removed from the conditions that many of our favorite and necessary products are produced, because so many of them are produced internationally.  So it is often more difficult for us as US citizens to educate ourselves about our favorite companies and brands.
I have worked in the Apparel industry for almost 16 years. And I am a woman who definitely has a soft spot for fashion and clothes!  In the past year I've been learning about different companies and designers who have put forth the effort to ensure that their goods and products were produced sustainably and ethically. For some people, this means that the people who produce the clothes (i.e., the cotton farmers, the people who dye the fabric, the people who sew the clothes, etc) are receiving good living wages depending on their country context. For other people it means that the items are all made organically which is better for the environment and healthier for the producers.  And for other people it means that the clothing is completely produced within the United States which provides local jobs and reduces the use of fossil fuels in shipping. 
 
Today I'd like to give a shout out to a company based in Japan that is also available in the UK, no it is not available in the US yet, called People Tree. People Tree was started by a brilliant entrepreneur, Safia Minney, who opened their flagship store in Japan in 1997. Minney's company produces fabulous, affordable clothing all on the principals of Fair Trade.
 
According to their company website....
"Fair Trade doesn't just mean paying a fair price. It is an entirely different way of doing business, where the objective is not profit at any cost, but to help people in the world's most marginalized communities escape poverty and promote sustainability." They look at their business as a "tool to support people". And they currently support 50 Fair Trade producer groups in 15 developing countries.

In Safia's own words:




Wednesday, March 23, 2011

Serbia: Returning Gratitude for the Japanese Donations

On Facebook, a group of Serbian citizens expressed solidarity with the Japanese by forming the Japanese flag with their bodies.

From: www.globalvoicesonline.org

There's an old Serbian saying that goes like this: “Make good things and hope for the good things.” These days, this traditional folk wisdom is being confirmed in practice.

At the moment when Japan faces an unprecedented tragedy, Serbian people express their solidarity in many ways, returning their gratitude for the donations that the Japanese government has been providing to Serbia since 1999. They have not forgotten the Japanese POPOS grants, which covered the basic and urgent needs of the Serbian population: health care, primary education, poverty reduction, social and environmental protection, and general well-being. The latest Japanese donations were given in March 2011. Despite its own horrible situation, the government of Japan donated $125,000 to the Serbian towns of Vlasotince and Sokobanja, to support the improvement of environmental services in Serbia. This month, the Japanese government also donated 77,943 euro to Paraplegic Association of Banat, Srem and the Center of Social Work in Paracin.

Respecting the fact that all of these funds (more than 200 million euro in total) were raised from taxpayers of Japan, Serbian citizens feel the need to return the gratitude to the friendly people of the Far East.

The city of Belgrade has donated 25 million dinars (2.5 million euro) to help Japan, while three Serbian mobile operators (VIP, MTS and Telenor) have launched a text messaging option through which Serbian citizens can send messages of support to Japan that cost 50 dinar (0.5 euro). 


Tuesday, March 22, 2011

WORLD WATER DAY 2011



International World Water Day is held annually on March 22nd, as a means of focusing attention on the importance of freshwater and advocating for the sustainable management of freshwater resources.

Today, one in two people on the planet live in a city. The world’s cities are growing at an exceptional rate and urbanisation is a continuum. The main reason they are growing is because of natural increase in urban population, but also due to rural-to-urban migration and reclassification of rural areas to urban areas.

93% of the urbanization occurs in poor or developing countries, and nearly 40% of the world’s urban expansion is growing slums. Between 1990-2001 the world’s slums increased at a rate of 18 million people a year, and is projected to increase to 27 million new slum citizens per year between 2005-2020.
Investments in infrastructure have not kept up with the rate of urbanization, while water and waste services show significant underinvestment. The central problem is therefore the management of urban water and waste. Piped water coverage is declining in many settings, and the poor people get the worst services, yet paying the highest water prices.

Few urban authorities in developing countries have found a sustainable solution to urban sanitation, and utilities cannot afford to extend sewers to the slums, nor can they treat the volume of sewage already collected. Solid waste disposal is a growing threat to health and the environment.
 
 Cities are complicated to manage: different approaches are needed for different types of urban environments. But cities also provide the best opportunity to improve livelihoods and infrastructure development, including water and waste services.

The big opportunity is increased recycling and reuse of water and wastes, an integrated urban management. Adopting more efficient water treatment technologies and capturing water and wastes within the city will also minimize environmental and downstream pollution.
***********************************************************************************
Water.org is a nonprofit organization that has transformed hundreds of communities in Africa, South Asia, and Central America by providing access to safe water and sanitation.
 
Water.org lists such solutions to the water crisis as:
"We believe people in developing countries know best how to solve their own problems. That’s why we forge partnerships with carefully-screened, indigenous partner organizations that understand, and are part of, the local culture. The result: a solution tailored to the needs of each community, instead of a technological fix the community has no way of maintaining." 
"Community ownership is at the heart of Water.org’s philosophy. Regardless of whether the project is funded entirely by a grant or involves WaterCredit (small loans for water and sanitation), community ownership is at the center. For a project to be truly successful, communities must be viewed and must view themselves as the owners of the project. That’s why Water.org engages communities at every stage and at every level – from project planning, building and financing, to ongoing project maintenance."
"Good hygiene practices and access to sanitation facilities are critical to achieving sustainable improvements in community health. Clean water may be available in a household, but if hand-washing and other practices are not routinely followed, the promised health benefits will not materialize. Similarly, access to a latrine does not ensure that the latrine will be used or properly maintained. Without a good understanding of the link between hygiene and disease, the health benefits of safe water and sanitation can be easily lost."
"The WaterCredit Initiative represents the creation of a new space at the intersection of water and sanitation and microfinance. By catalyzing small loans to individuals and communities in developing countries who do not have access to traditional credit markets, WaterCredit empowers people to immediately address their own water needs. As loans are repaid, they can be redeployed to additional people in need of safe water."

For more information on the water crisis around the world, and the possible solutions, visit www.unwater.org and www.water.org.




 
 

Monday, March 21, 2011

Haitian Renaissance: Youth Paint a New Country


 From: YES! Magazine

http://www.yesmagazine.org/blogs/beverly-bell-in-haiti/haitian-renaissance-youth-paint-a-new-country

How a community art program in Haiti is empowering young people to express their hope for a better future.By Beverly Bell

“Everyone expects there to be a new problem daily in Haiti. I can’t concentrate on problems each day,” said Roseanne Auguste, coordinator of a youth art program in the sprawling, under-resourced Port-au-Prince section of Carrefour-Feuilles. The program is run through the community clinic Association for the Promotion of Family Integrated Health (APROSIFA).

Roseanne swept her hand across hundreds of paintings and drawings waiting to be packed up for an upcoming art show. “And people come and say Haiti is the poorest country in the Western Hemisphere. I hate to hear that. There’s so much richness in this country.”

Roseanne, who is director of APROSIFA as well as a nurse and community organizer, held up one painting. It featured two hands nurturing a brilliantly colored woman’s head; the hands seemed to be helping the woman open her mouth. “They’re envisioning all this despite the earthquake,” Roseanne said.


 “If we really had the chance to do for ourselves, if we had the means, you’d see what we could do.”
“These kids hear about violence every day,” Roseanne said. “We have to concentrate on what another country could be. That’s what interests me. If we had cultural centers in each shantytown, imagine what we could do. Culture and citizenship… if youth came and talked about this every day, found different ways to express their views on the matters, we could have a different country.”

“Other countries want to control us, giving us a little money for elections, a little money for development, while keeping the country as it is. But if we really had the chance to do for ourselves, if we had the means, you’d see what we could do.”

APROSIFA’s youth art program began in 2009 in a couple of cement-block rooms in the back of the clinic. A few professional artists donated their time to teach. Today, 68 youth from ages 8 to early 20s are painting and sculpting. A few of the youth who began learning two years ago are now teaching the others.

The artwork represents the daily stuff of Haitian life, like forms of labor, scenes inside village huts, vodou imagery, and landscapes. The work also features historical heroes, maps of Haiti, and Escher-like clocks ticking away the country’s past.

When people ask me, as they do all the time, “Is there any cause for hope in Haiti?” I answer yes. When the young painters have canvas and paints, the images are bold, the colors brilliant. Often they have only sheets of typing paper and a pencil or a Bic pen. APROSIFA raises money to subsidize the supplies. “We give them string to fish with,” Roseanne said.  

In late January, APROSIFA sponsored the Haitian Renaissance show at a hotel in downtown Port-au-Prince. On opening night, hundreds of people—journalists, artists, advocates for women, dignitaries, and especially youth from Carrefour-Feuilles—squeezed into several rooms whose walls were covered with art. The theme of the art was the Convention on the Elimination of All Forms of Discrimination against Women (CEDAW), which was adopted by the U.N. General Assembly in 1979 and took effect in 1981. Haiti ratified the convention in 1981 (unlike the U.S., which never has), though it has never been applied. Roseanne had given copies of the document to the young artists and had asked them to express their opinions creatively.
 
“I feel proud as a woman to sit with a canvas, with all my pride, and create paintings. We young artists come with our imagination, our inspiration, our understandings. We can paint anything.”

One youth whose work was featured is 22-year-old Islande Henry. She spoke in front of one of her paintings, of two women talking in front of their home, inspired by Article 16 of CEDAW, which protects women and children’s rights in family relations. Islande said, “To me, CEDAW is a beautiful thing. It speaks to the restavèk [child slavery] system and how those kids have no rights. It speaks to violence against women, and how women are mistreated in society, and how there are so many things they can’t do from serving in Parliament to playing ball.


 “Our artwork says, ‘No! Women can do anything. Women must have access to everything this society offers.’”

Islande said, “I have a lot of capacity and I always knew I could paint, but I didn’t have any support. You know, sometimes your family can’t really step up and help with resources. But I found APROSIFA in 1999. I feel proud as a woman to sit with a canvas, with all my pride, and create paintings. We young artists come with our imagination, our inspiration, our understandings. We can paint anything.”

“What I’ve gotten from APROSIFA, I want to pass along to other youth so this country can have another future.” When asked what her hope is, Islande replied, “My hope is that I can be a great painter so the entire world can know my work and can know that Haitians need solidarity, unity, patience, love, and peace. I have a lot of hope for that.”

Beverly Bell has worked with Haitian social movements for over 30 years. She authored the book Walking on Fire: Haitian Women's Stories of Survival and Resistance. She coordinates Other Worlds, which promotes social and economic alternatives, and is associate fellow of the Institute for Policy Studies.

Sunday, March 20, 2011

What is the role of creativity in education? Ken Robinson says schools kill creativity.

Creativity expert Ken Robinson challenges the way we are educating our children. He challenges a radical rethink of our school systems to cultivate creativity and acknowledge multiple types of intelligence.

From TED: Why don't we get the best out of people? Sir Ken Robinson argues that it's because we've been educated to become good workers, rather than creative thinkers. Students with restless minds and bodies -- far from being cultivated for their energy and curiosity -- are ignored or even stigmatized, with terrible consequences. "We are educating people out of their creativity," Robinson says. It's a message with deep resonance. Robinson's TEDTalk has been distributed widely around the Web since its release in June 2006. The most popular words framing blog posts on his talk? "Everyone should watch this."

A visionary cultural leader, Sir Ken led the British government's 1998 advisory committee on creative and cultural education, a massive inquiry into the significance of creativity in the educational system and the economy, and was knighted in 2003 for his achievements. His latest book, The Element: How Finding Your Passion Changes Everything, a deep look at human creativity and education, was published in January 2009. 



Saturday, March 19, 2011

Pepsi's 100% Plant-Based Bottle


 "PepsiCo Inc has revealed their new eco-friendly bottle, which is made entirely of plant material. The bottle is made from switch grass, pine bark, corn husks and other materials. Pepsi plans on using peels, oat hulls, potato scraps and other organic waste from its food business to manufacture these bottles as well.

The soda giant says it is the world’s first bottle of a common type of plastic called PET made entirely of plant-based materials. Coca-Cola Co. currently produces a bottle using 30% plant-based materials and recently estimated it would be several years before it has a 100% plant bottle that’s commercially viable.

Pepsi is going to test the new bottle next year with several hundred thousand bottles. Once they are certain they can successfully produce the bottle at that scale, it will begin converting all its products over."

From: www.sustainabilityninja.com

New Regular Feature: Words from the SAGES

WORDS FROM THE SAGES will be a regular feature here on Catalyst Commons that will highlight various quotes and maxims from the wise and the spirited, the clever and the astute. And for the first feature, I've chosen Lady O herself, Oprah Winfrey. I've been watching a lot of the Oprah Winfrey show, this her 25th and final season. And thanks to the Queen of talk shows I've had quite a few "A-HA" moments about my own life. So to start off this new feature, I'd like to highlight a few of the things she's said that have resonated with me. 



"Competition...You gotta step up your game. And the way you step up your game is never to try to do what somebody else is doing. But you intensify whatever it is you're doing....become more of yourself." 

"Before you agree to do anything that might add even the smallest amount of stress to your life, ask yourself: What is my truest intention? Give yourself time to let a yes resound within you. When it's right, I guarantee that your entire body will feel it."

"I think that when you invite people to your home, you invite them to yourself."

"I believe that uncertainty is really my spirit's way of saying, 'I'm in flux. I can't decide for you. Something's off balance here."

"I believe the definition of living a spiritual life is to live with an open heart."





Friday, March 18, 2011

the BATTLE over PLASTICS.....

Plastic: Too Good to Throw Away
by Susan Frienkel
 Author of the forthcoming “Plastic: A Toxic Love Story.”
OP-ED Contributor, NYTimes, March 17th, 2011

SINCE the 1930s, when the product first hit the market, there has been a plastic toothbrush in every American bathroom. But if you are one of the growing number of people seeking to purge plastic from their lives, you can now buy a wooden toothbrush with boar’s-hair bristles, along with other such back-to-the-future products as cloth sandwich wrappers, metal storage containers and leather fly swatters.

The urge to avoid plastic is understandable, given reports of toxic toys and baby bottles, seabirds choking on bottle caps and vast patches of ocean swirling with everlasting synthetic debris. Countless bloggers write about striving — in vain, most discover — to eradicate plastic from their lives. “Eliminating plastic is one of the greenest actions you can do to lower your eco-footprint,” one noted while participating in a recent online challenge to be plastic-free.

Is this true? Shunning plastic may seem key to the ethic of living lightly, but the environmental reality is more complex.

Originally, plastic was hailed for its potential to reduce humankind’s heavy environmental footprint. The earliest plastics were invented as substitutes for dwindling supplies of natural materials like ivory or tortoiseshell. When the American John Wesley Hyatt patented celluloid in 1869, his company pledged that the new manmade material, used in jewelry, combs, buttons and other items, would bring “respite” to the elephant and tortoise because it would “no longer be necessary to ransack the earth in pursuit of substances which are constantly growing scarcer.” Bakelite, the first true synthetic plastic, was developed a few decades later to replace shellac, then in high demand as an electrical insulator. The lac bugs that produced the sticky resin couldn’t keep up with the country’s rapid electrification.

Today, plastic is perceived as nature’s nemesis. But a generic distaste for plastic can muddy our thinking about the trade-offs involved when we replace plastic with other materials. Take plastic bags, the emblem for all bad things plastic. They clog storm drains, tangle up recycling equipment, litter parks and beaches and threaten wildlife on land and at sea. A recent expedition researching plastic pollution in the South Atlantic reported that its ship had trouble setting anchor in one site off Brazil because the ocean floor was coated with plastic bags.

Such problems have fueled bans on bags around the world and in more than a dozen American cities. Unfortunately, as the plastics industry incessantly points out, the bans typically lead to a huge increase in the use of paper bags, which also have environmental drawbacks. But the bigger issue is not what the bags are made from, but what they are made for. Both are designed, absurdly, for that brief one-time trip from the store to the front door.

In other words, plastics aren’t necessarily bad for the environment; it’s the way we tend to make and use them that’s the problem.

It’s estimated that half of the nearly 600 billion pounds of plastics produced each year go into single-use products. Some are indisputably valuable, like disposable syringes, which have been a great ally in preventing the spread of infectious diseases like H.I.V., and even plastic water bottles, which, after disasters like the Japanese tsunami, are critical to saving lives. Yet many disposables, like the bags, drinking straws, packaging and lighters commonly found in beach clean-ups, are essentially prefab litter with a heavy environmental cost.

And there’s another cost. Pouring so much plastic into disposable conveniences has helped to diminish our view of a family of materials we once held in high esteem. Plastic has become synonymous with cheap and worthless, when in fact those chains of hydrocarbons ought to be regarded as among the most valuable substances on the planet. If we understood plastic’s true worth, we would stop wasting it on trivial throwaways and take better advantage of what this versatile material can do for us.

In a world of nearly seven billion souls and counting, we are not going to feed, clothe and house ourselves solely from wood, ore and stone; we need plastics. And in an era when we’re concerned about our carbon footprint, we can appreciate that lightweight plastics take less energy to produce and transport than many other materials. Plastics also make possible green technology like solar panels and lighter cars and planes that burn less fuel. These “unnatural” synthetics, intelligently deployed, could turn out be nature’s best ally.

Yet we can’t hope to achieve plastic’s promise for the 21st century if we stick with wasteful 20th-century habits of plastic production and consumption. We have the technology to make better, safer plastics — forged from renewable sources, rather than finite fossil fuels, using chemicals that inflict minimal or no harm on the planet and our health. We have the public policy tools to build better recycling systems and to hold businesses accountable for the products they put into the market. And we can also take a cue from the plastic purgers about how to cut wasteful plastic out of our daily lives.

We need to rethink plastic. The boar’s-hair toothbrush is not our only alternative.